The new Spearmint single ’24
Hours in A and E’ is available to buy digitally now, from all the usual
places. You can hear it here.
The new album is called ‘Are You
From The Future?’ and is released on 1st November (that seems like
ages away, but it’s only a few weeks!). You can pre-order your CD now – if you do, you’ll get the digital single for
free straight away.
News on the extremely limited
vinyl version will follow in a couple of weeks’ time… and don’t forget that
tickets for the London show on 14th November are on sale now too.
Here are a few of my musings on
’24 Hours in A and E’ was one of
the last songs written for the album. We were already well into recording when
I finished it. We began making the album before the writing was finished,
because I knew it would give me something to do if recording took a while.
I had the intro (and outro) for
quite a while but couldn’t figure out what should happen next. Everything I
tried seemed disappointing. I was working on the main riff separately as an
idea for a different song, and one day I wondered what would happen if that was
what followed the intro. It worked straight away – it’s not often that happens,
but it’s great when it does.
I got the vocal parts immediately.
The longer string passages wrote themselves in my head as I was walking round
Brighton. I don’t recommend you get this song trapped in your head by the way –
it lodges itself and is painful to get rid of. The middle eight is a conscious
nod to the break in our tune ‘A Trip Into Space’, which was itself reminiscent
of the Style Council, which itself echoed Tanya Marie and Curtis Mayfield.
Normally you get rid of those bits, but sometimes it’s fun to leave them in.
The title refers to our current
life experience: somehow finding moments of joy amid sustained crisis. The two
lyrical sections contrast how when things are going well, we are quite good at
making things difficult, just by not communicating properly… yet often in
periods of crisis, we somehow manage to find moments of real joy.
I was so proud of the song once
it was finished, especially the structure, which I think is unique. I was
worried that the band or our producer JB wouldn’t get it, and would want to
change the structure to make it more orthodox, or not lead with the falsetto
vocals. But they all got it straight away, it was a pleasure to work on, and
makes the perfect opener to the new album.
Jim put the bass down and Ronan
did the drums. Si and I did the vocals and Si played synth strings, which
sounded really good. But we felt that it was worth trying real strings on the
track, so JB introduced us to Ellie Wyatt, who did such a fabulous job of it.
The final touch was the Star Trek-like boost to the vocal, which was provided
by Dominique Levant. Jim did the artwork, riffing on the album sleeve, but it
has me climbing into the tunnel rather than Si.
All in all, the song was a joy to
be involved with, and very, very Spearmint.
All the best,